Italian Baroque Era Painter, 1628-1719 Italian painter and draughtsman. He was the leading master in Bologna during the later decades of the 17th century, commanding a position of authority comparable to that of Carlo Maratti in Rome. He bore the title of Conte, and his biographer Giovan Pietro Zanotti wrote that he 'always worked for glory, not for need'. Zanotti's emphasis on Cignani's 'new manner' refers to the reflective, intimate mood of his art, presaged in the later pictures of Guido Reni and Guercino, and in those of Simone Cantarini. This gentle manner, which prevailed in the second half of the 17th century,  Related Paintings of CIGNANI, Carlo :. | Open Window at Collioure (mk35) | Jesus and Our Lady of St. Francis Koch | Market Woman with Vegetable Stall | The Cutting | Skirt |
Related Artists:
Juan Manuel Blanes
(June 8, 1830 - April 15, 1901) was a noted Uruguayan painter of the Realist school. Blanes was born in Montevideo, Uruguay, in 1830. He was raised by his mother, with whom he relocated to the countryside in his early teens. Blanes took an interest in drawing at this point, and shortly afterwards, was hired as an illustrator for a Montevideo newsdaily, El Defensor de la Independencia Americana. Earning extra income with watercolors, he returned to his mother and, in 1854, established his first atelier. He married Marea Linari, and in 1855, the couple settled in Salto, where he worked as a portrait painter. They relocated to Concepcien del Uruguay (across the Uruguay River, in Argentina) in 1857, and Blanes was commissioned by Argentine President Justo Jose de Urquiza to complete a number of portraits, allegories and landscapes to grace his nearby estancia, the Palacio San Jose. Returning to Montevideo in 1861, the talented painter obtained a scholarship from the Uruguayan government, and with it, traveled with his family to Florence, Italy, where he studied under Antonio Ciseri until 1864. The experience became a valuable calling card for Blanes, who became of Uruguay's most sought-after portraiteurs. The 1871 outbreak of a yellow fever epidemic in Buenos Aires inspired his first renowned work, which he exhibited to acclaim in the recovering city. His 1872 portrait of the Argentine War of Independence hero, General Jose de San Marten (The Review in Rancagua), was also a success in Buenos Aires, and Blanes was invited to Chile to display the historic depiction.
Francis Barraud
(14 November 1899 - 11 September 1934) was a Swiss painter. Barraud was the eldest of four brothers who all painted or sculpted at various points in their lives.The brothers, François, Aim, Aurle and Charles, were largely self-taught artists having been raised as professional plasterers and house painters. Barraud attended evening classes at the local art school in 1911 together with his brothers. In 1919, he exhibited his paintings in La Chaux-de-Fonds and participated in the National Exhibition of Fine Arts in Basel.Encouraged by the success of the exhibitions he left Switzerland in 1922, and moved to Reims in France where he worked as a house painter for two years. He married Marie, a French woman, in 1924. Marie subsequently featured as a model in several of his paintings.Around 1924 or 1925, Barraud found work in Paris as an artist and craftsman. While living in Paris he studied painting at the Louvre. François Barraud painted mainly still lifes, female nudes and portraits, including several double portraits of himself and his wife, Marie His precise, realist style of painting developed under the influence of the old Flemish and French masters he had studied at the Louvre. Barraud suffered periods of illness throughout his life and died of tuberculosis in Geneva, in 1934, at the age of 34.
Horst Devens
painted Freiin Emma von Langenmantel-Rosenberg in 1873